steve pottinger

Guest Post: thirty one small acts of love and resistance by Steve Pottinger, with poem ‘Mothers’ Day’

Publication day for an author is a joyous, exciting, and a nervous day; and more so than ever because of the lockdown, which has been the main reason for opening up the site again during this time. So I am delighted to be featuring Steve Pottinger on the actual publication day of his sixth collection, thirty-one small acts of love and resistance’. Please buy it if you can, as a small act of love and resistance. Here’s Steve.

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steve pottinger“When we rang in the New Year, I don’t expect any of us thought our 2020 would include supermarket queues, panic buying, empty motorways, or an invisible Prime Minister, but here we are. The world is a quieter place, where we keep our distance from each other, do our weekly shop, and – in my case at least – spend far too much time online, seeking some kind of social interaction. For better or worse, our worlds have shrunk to our immediate neighbourhood, the few streets round us, the distance we can walk or cycle in an hour.

The place I live is nowhere special. It’s one of the sprawl of once-industrial towns that make up the Black Country. Outsiders would be hard pressed to tell where it begins or ends, and – on learning that a lot of people here see Brexit as a good thing, and returned a Tory MP with an increased majority at the last election – might think they know everything they want to know about it.

Spend time here, though, and you’d learn there’s a real sense of pride among the people who live in this small town. That the response to lockdown has been, for a team of volunteers to co-ordinate support for vulnerable residents, deliver food parcels and prescriptions, and liaise with local supermarkets for supplies. That helping each other – because you can’t ever rely on the government – is as much part of life here as the roller-shutters and the petty thieves.

small-acts-front-cover-130x200Many of the poems in my new book ‘thirty-one small acts of love and resistance’ explore the beauty of life here as well as the grit. The wonder and the limitations. The poem I’d like to share, Mothers’ Day, is a celebration of our town which was commended in the Prole poetry competition 2019, and has taken on an added poignancy since lockdown. When I close my eyes, I can picture the faces of the people in this poem, I can hear the laughter and the chat, I can feel trouble waiting just out of sight, around the corner. And I can’t wait to be in that pub again.

The place I live is nowhere special. But it is remarkable. Like thousands of other remarkable, unsung, communities up and down the land. Maybe, when all of this is done, we’ll remember that.”

Steve Pottinger is a poet, author, and workshop facilitator, and a founding member of Wolverhampton arts collective Poets, Prattlers, and Pandemonialists. He’s an engaging and accomplished performer whose work has appeared in magazines and anthologies, and he’s a regular contributor to online poetry platforms. He’s performed at Ledbury and StAnza poetry festivals, at the Edinburgh Free Fringe, and in venues the length and breadth of the country, from Penzance up to Orkney. His sixth volume of poems, ‘thirty-one small acts of love and resistance’ was published by Ignite Books this Spring.

‘thirty-one small acts of love and resistance’ is on sale here: https://ignitebooks.co.uk/products-page/steve-pottinger-books/

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Mothers’ Day

Let us sing a song of the tiny tattered townpub singing
of the pub at its locked-down, knocked-down heart
and of those who drink there.
Let us sing of Mothers’ Day and celebration
of the family night out
of a large glass of red and the make that a double
of burgers with all the trimmings
a side of onion rings and chips with everything
sing of curry and a pint and change from a tenner.

Let us sing of the bevy of traveller women
loud and drinking and drunk
and their don’t care a toss if you serve food
we’re bringing the pizzas in anyway
don’t think of stopping us
nonchalance,
sing of their children
who climb barefoot over the tables
over and under and through
caring nothing for rules.

Let us sing of the bar-staff, budget-uniformed,
overworked and underpaid
who are suddenly busy at the other end of the bar
who have a finely tuned instinct for looking
the other way
who know there’s not a chance in the world
the money covers this, no chance at all.
Let us sing of it being someone else’s problem
quite definitely someone else’s problem.

Let us sing, then, of the young manager
his stooped shoulders, his muttering, his sighs
as he wanders over for the third time
counting the minutes, praying to get to
the end of the shift without it kicking off,
sing of the token gesture of negotiation
sing of putting to one side the memory
of what happened last time.
Sing of his hope he doesn’t have to draw the line.

Let us sing of everyone in there
knowing the cops will be late, useless
sing of keeping one eye on the exit
of knowing that if it all goes down
well, devil take the hindmost.
Let us sing of take a deep breath and bear it
of it not being your business, none of it
of swallowing this down, of letting it slide.

Let us sing of hours measured pint by pint
of old men slipping home
of the crackling tension of trouble ebbing
like a tide you hadn’t noticed turn.
Let us sing of lost nights, last buses,
of just one more before you go
of pizza crusts trodden in carpets
of traveller women, beyond drunk now,
queens of all they can keep in focus.

Let us sing, my friends.
Sing a song of the tiny, tattered town
of the pub at its locked-down, knocked-down heart
and of those who drink there.
Let us sing of Mothers’ Day and celebration
of the family night out
of empty glasses and a last one for the road.
Let us raise our cracked and tuneless voices
and let us sing.

Guest Post by Steve Pottinger, with his poem ‘Desaparecida’

sofaOn January 8th this year, a friend of mine was kidnapped by a Mexican drugs cartel. John Sevigny is a photographer, a US national who spends a lot of time in Central America; he was visiting Cordoba, in Veracruz state in Mexico, when he and a woman he was working with were abducted by a large number of heavily armed men.

Abduction in Mexico isn’t uncommon. Over 30,000 people have disappeared, and while I knew of los desaparecidos I guess it’s human nature to believe this ongoing tragedy – like all tragedies – is something which happens to others, and never to anyone you know or care about. Maybe that’s a necessary disconnect which allows us to live free from anxiety and constant fear. Perhaps that explains the shock when it turns out not to be true. (more…)

Stabberjocky by Steve Pottinger

ShelleyI can’t imagine there to be a poet who so enraged those in authority, that long after his death, his naked statue would have its testicles removed. Yet this was the lot of Percy Bysshe Shelley. As the late Paul Foot explains in his classic book, Red Shelley. “The naked Shelley was the subject of much sport each summer was at Oxford [University]. As a climax to what is known as Eights Week, the future leaders of the nation would mourn yet another disaster for the University College First Eight by squeezing between the bars of Shelley’s cage, and wreaking havoc on his statue. ‘We’ve got Shelley’s balls!’ was the plummy cry of triumph which would echo through the quadrangles at three or four in the morning.”

I don’t suppose that the Notting Hill posh heads of Cameron, Johnson, and Gove are great fans of Shelley, or similar modern poets so resistant to their right wing elitist values. Well, fortunately their short-lived bubble of power (remember they were only solely in office for a year), has been self-punctured. However, there is little to celebrate from such a demise; the country is in its greatest level of uncertainty for many years with Brexit, and the grip of the Right is still vice-like, especially with the battle raging between the Labour People’s Front and the People’s Front of Labour.

Poets have begun to respond to this exit from Europe and resultant political dislocation, with online magazines and anthologies from the likes of Well Versed (as usual), The Stare’s Nest, The Bogman’s Cannon, New Boots and Pantisocracies, and I Am Not a Silent Poet. Steve Pottinger is a stalwart of political poetry, whether with poems against tax avoiding corporations, or as steve pottingerwith his poem here, Stabberjocky, holding power to account in the most surreal and satirical way. This reworking of Lewis Carroll’s Jabberwocky is a real classic in the making. So much so, that if Steve was to ever have statue made of him, I am sure that descendants of Shelley’s stealers would be on the lookout for Pottinger’s crown jewels. (more…)

Birmingham to London by Coach, by Steve Pottinger

In 1925, the newly installed Chancellor of the Exchequer Winston Churchill, linked the pound the gold standard in a vain attempt to boost a dying empire. This led to an economic catastrophe and the now famous General Strike of 1926. Always one for war war as opposed to jaw jaw, Churchill advocated troops firing on strikers. So to stop him from inflicting such harm, he was assigned the editorship of the British Gazette, the government’s propaganda machine during the strike. The paper ridiculed the strikers and claimed they were a direct threat to the country’s democracy.

sun arthur scargillsunsplashThe media has continued with this tradition of ridiculing and demonising the working classes. During the Miner’s Strike of the 1980s, Thatcher wanted to take a very similar approach to Churchill, with a secret plot to use 4,500 troops to crush the miners and she had the backing of the right wing tabloids of the day. The Sun tried to run a front page of a straight-armed Arthur Scargill (he was mid-wave) under the heading, “Mine Furher”, but the print union (who knew if the miners lost they’d be next) refused to run it so the paper had to back down and run the alternative (see right).

However, the focus of today’s media demonization is the out-of-workers; those on benefits, who we are told have too many children, are promiscuous, criminal, and feckless. These types are paraded on the screens from Jerry Springer to Jeremy Kyle, with characters like Vicky Pollard and Frank Gallagher, and are regularly on the front pages of the tabloids. It feeds into politicians’ minds and speeches; in the UK election the focus is very much on hard working families, who can only be helped through cuts – cuts which implicitly will affect those on benefits. So if you are unemployed, disabled or unwell, elderly, you are seen as a drain on the state. All this, despite the fact that many “hard working people” are in poverty and rely on benefits and food banks. It is a classic divide and rule strategy.

steve pottingerHow does one deal with this? One obvious way is with frustration, anger, protest, and voting against those propagating a perception that disadvantaged people are the problem. The other way, which Steve Pottinger has done with great wit in his poem Birmingham to London by Coach, is to write about it in a satirical way; turn our perceptions around, make us think differently about the current demonization of a class of people, who somehow hold little power and little money, and yet seem to dictate the policy of the main political parties. I know, it’s fucking bizarre! (more…)