Poem

I went back to my country by Enoh Meyomesse

I could not ask the Cameroonian poet and historian, Enoh Meyomesse for permission to publish his poem “I Went Back to My Country”, because he is in jail in Cameroon. But I know he would have said yes.

Today, I saw a tweet from the African Poetry Book fund saying to read Enoh’s collection Jail Poems, which have just been translated into English and published by English PEN. You can download the book here, and donate your chosen amount (recommended is £5); all proceeds will go to English PEN’s work in supporting Enoh Meyomesse and other writers at risk around the world. They have said that the collection “has a collective commons license, and dissemination of the poems is actively encouraged.”

As the poem shows, many refugees or those forced to leave their country for whatever reason, want to go back home, and Enoh was no different. “I went back to my country/with my soul/hosting a thousand/dreams of freedom.” So Enoh left France, despite “the warnings/of thousands //stay-here /you’re-no-longer-from-there /your tongue-has-not-tasted/the-dishes-from-there-for-years.” But the warnings were prescient and he was arrested. The poem is a plea to the Kamerun (the nationalist fighters and now rulers of the country). “When then will you cease/to crush without mercy/your most devoted children/is this the fruit of the fight for independence/that our ancestors tore from the hands of the Whites/is this the freedom that independence/carried in its gut.” He has been betrayed like the people of his country, of which he is hugely proud. “I went back to you/oh Kamerun/burning with desire/to see you tall/stronger than all.” (more…)

Nineteen Hundred and Nineteen, and Jungle by Ian Duhig

Since I began this blog six months ago, I have been amazed at how open all of the poets have been to sharing their poems and giving me background to them; and it has also been great because I have learned so much – not only about poetry but the subjects behind the poems and poets. And this experience has continued this week with Ian Duhig.

During a break at last week’s New to Next Generation Poets at the Institute of English Studies, where I gave a paper, I ‘collared’ Ian Duhig, who I had spotted sitting a few rows ahead of me. We chatted about a joke I had shared with him on Twitter and then I asked him if I could feature a poem or two of his on the site, which he kindly and instantly agreed to. Later that evening he gave a reading alongside Patience Agbabi and Hannah Lowe, both of whom I have featured on PP. The next morning, when I opened my emails there they were – not two but a mini-selection box of poems from Ian.

I could have chosen them all. However, I decided on Nineteen Hundred and Nineteen and Jungle because of the history behind the stories and the discrimination and attitudes towards the subjects in their situations – one a transgender Mexican revolutionary, the other a ‘successful’ homeless male sex worker. For the many of you who know Ian’s writing, the poems are founded on truth (sometimes an uncomfortable one), either historical, or from his direct experience of working with homeless people for fifteen years. And the poems are leavened with a humour as well as a directness and richness of language. (more…)

Another Life by Jill Abram

Many years ago my friend went for an interview at the Royal Mail; when asked why he wanted to be a postman, he said, “Because my uncle runs the pub across the road.” He didn’t get the job, which wasn’t fair really because the pub was always full of posties at lunchtime.

Charles Bukowski was probably the most famous literary drinking postman. When deciding whether to continue at the post or become a full-time writer he said, “I have one of two choices – stay in the post office and go crazy … or stay out here and play at writer and starve. I have decided to starve.”

Imagine however, that instead of delivering other peoples’ letters or junk mail, the postman delivered a message of his or her own. What would the folks of downtown L.A. have thought about missives from Bukowski or Burroughs? Or how about messages from those promoting social justice and equality, like Gandhi or Jerry Springer.

Photo by Naomi Woddis

Jill Abram, in her poem, Another Life, does just that when she imagines Martin Luther King walking the streets with his dream, ‘but instead of sharing it/with all the world at once,/he would have told people individually/household by household.’ Can you imagine getting a personal message from MLK, how life changing that could be? And how you could pass on his word, “neighbour to neighbour/over garden gates and hedges/and cups of tea.”

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For Eliza (my great grandmother) by Katrina Naomi

It is an indictment on those who hold power and are resistant to its democratisation that days such as yesterday’s International Women’s Day remain such an important reminder of the discrimination women face throughout the world. Here in the UK, it is particularly poignant given the upcoming general election, where women’s role in politics is still far outweighed by men; though I do like to think it is no coincidence that the more progressive political parties of the United Kingdom, the Greens, Plaid Cymru, and SNP are all now led by women.

The suffragette movement of course was instrumental in creating change. But I used to think it was portrayed as a rather middle/upper class movement, when, this is clearly not the case. There are many examples of working class women involved in the movement, and campaigning for equal rights many years before the turn of the century.

A programme just this week on BBC television, Suffragette’s Forever, showed how in the 1850s, in response to the male dominated Chartist movement, there was the formation of the Sheffield Female Political Union, who proclaimed: “To the women of England, beloved sisters, it is our birth-right, equally with our brothers to vote for our destiny, …and we ask in the name of the new justice must we continue ever the silent and servile victims of his injustice? Is the oppression to last forever? We, the women of the democracy of Sheffield, answer – No!” As Professor Amanda Vickery says, ‘it disputes the idea that working class women were downtrodden and prepared to suffer and be still; but more than that it gives a lie to the idea that the suffragette movement was a snooty middle class affair born in drawing rooms in Kensington and Mayfair. It seems to me it was born here in Sheffield in 1851.”

Katrina Naomi’s elegiac poem ‘For Eliza (my great-grandmother) who ‘ran away to north London,/never spoke of home, fled as a child/from that gap on the form where your father would have been;’ and who went on to be part of a movement that changed the course of history ‘When you straightened up,/out of the poor light, you thrust a pin/through the crown of your best straw hat/worked amongst those with a larger vision.’ beautifully encapsulates the height of the suffragette movement, (more…)

Poems from “How the bookmaker feels about the dogs” by Joey Connolly

You may not have noticed but the days are getting longer. Shops’ opening hours seem extend to meet the needs of everyone’s body clock. Superstores are 24/6, bars open to 2am, some banks on Sunday. It seems it is only doctors’ surgeries that escape the creep of capitalist opportunity. One that strikes me, given my previous life, is when walking home late evening to see the bookmakers (betting shops) still open till 10pm; when I worked in a bookmakers in the 1980s, there was no night racing, far fewer race meetings, no slot machines, you were never open on a Sunday, and there were no PDQ machines to pay by card – you could only lose what was in your pocket. Now their shops are open 12 hours a day seven days a week – 24 hours if you count online.

I feel that more than ever, being in a bookies is all about waiting and counting; whether it’s the time of the next race, your next win, the odds, how much you’ve got to bet with, how much you can afford to lose, how much you actually lose that gives you that sickening feeling when you walk home to face your family (it is rarely the more positive alternative). The same applies to the bookmaker/owner but more so for the person working on the till. How do you fill the time and what counts?

Joey Connolly passes the time writing poems when he’s working in the bookies, which is a great way to pass the time, even when you’re being interrupted; and in a series of poems from ‘How the bookmaker feels about the dogs‘ he portrays this mix of creativity and capitalist intrusion very well. ‘It’s a position I struggle to reconcile,/naturally. But it’s more interesting than an office/and it’s anyway impossible/to stand completely outside/of Capital’s relentless comprehension in this day, this age.’ It is a frustrating position and not like any other retail position, because you are dealing with people for a number of hours during a day – they don’t all just walk in, place a bet and walk out again. ‘I trudge to the bookies where I work and will find time/to write this….and will concern money…– but also/other important things; all of which/are suspended to take Joe’s throw-of-the-dice tricast,/Joe, who is/a real misogynist.’ (more…)

Dance Class by Hannah Lowe

At fifteen I was a punk. I don’t have the spiky hair anymore (don’t have any in fact) but I still like to think I have a little bit of the ethos. My son is fifteen and into much the same type of alternative music, although his relates more to the various genres of heavy metal. It is only now, however, I have spotted a contradiction in our choices, for although I reveled in being different, I also wanted to be part of a group who looked and felt the same.

What we all have in common, whatever identity we feel we have, is the need to belong to something. It may only be with four other boys playing Warhammer in Games Workshop on a rainy Sunday afternoon, or as in Hannah Lowe’s poem Dance Class, being with ‘the best girls posed like poodles at a show‘. But it is often not that easy to fit in, you may not be good at the game; you may be ‘a scandal in that class, big-footed/giant in lycra‘. (more…)

Wit is it? by William Letford

Having a laugh. Taking the piss. Bit of banter. Up for the craic. All are the stereotypical currency of conversation in the workplace. All assume a set of common of interests and culture amongst the workers: betting, beer, birds and football (obviously male dominated ones that is). And certainly a lot of such talk goes on in the mail rooms, building sites, pubs and changing rooms across the country.

However, you wouldn’t necessarily assume that such a group would be talking about something ‘deeper’, about who they are, their purpose, or the meaning of life itself. But in Billy Letford’s poem, Wit is it? such a conversation is going on, presented as an unknown question answered differently by the stonemason, plumber, sparky, labourer, joiner, gaffer and roofer. ‘it’s aw in yur heed’…’It’ll ‘stope yur hert deed’…’It’s aw in the mix’…’wit diz it mettur‘.

I can imagine this as an opening scene of a Samuel Beckett type play; them all in their positions on a building site looking down at something beneath them that we can’t see, that we never see. (more…)

TWO YEARS FROM RETIREMENT, MY NEIGHBOR CONTEMPLATES CANADA by Kyle Dargan

In 1930 the economist John Maynard Keynes, predicted that by the beginning of the 21^st century, capitalism would have been so successful people would only need to work a fifteen hour week in order to maintain a decent quality of life. As great and influential an economist as he was, he missed the carnivorous quality of capitalism to feed off others and to not know when it is full. So today, near on a century since his prediction, most people are still working a forty (or more) hour a week, just to stand still.

Yes, in global terms there is more wealth, improved health, and wider variety of leisure, at least in developed countries, but we are far from being a ‘leisure’ society. However, there is greater competition for jobs at lower wages with a growing global population and a predicted reduction in employment due to technological advances.

All of these developments affect people in developed and developing countries alike and these global shifts are reflected beautifully in Kyle Dargan’s poem, “Two years from retirement, my neighbour contemplates Canada.” An ageing neighbour, whose arthritis is ‘now a hymn sung/by the choir of his bones’ will not be having the retirement he hoped for, and looks to work his final years in Canada, where its map is “speckled with throbbing circles,/bull’s-eyes. Those are the job sites—so many,/one must wonder what is Canada building.” (more…)

Speechless by Jacob Sam-La Rose

Where were you when….? This is often a question that roots us to a place, a memory where the global meets the local. For my parent’s generation it was either the end of the Second World War or when Kennedy was shot (I was probably asleep in my pram). For my generation it was when Thatcher was elected, fall of the Berlin Wall, or when Princess Diana died (I think I was asleep for that one as well). And for today’s generation it must be 9/11 or when Simon Cowell appeared on the Simpsons. But of course there are many less tragic memories that take us back in time.

In Jacob Sam-La Rose’s epic five part poem Speechless, he takes us through the stages of his life with references to major events (both good and bad), linking them to his own family’s history and those that affected him personally. It begins in 1950: ‘Uruguay beats Brazil 2-1/to win the World Cup, China invades Tibet’. In Guyana his mother who ‘has a voice like ripe Jamoon wine‘ is trying to find her freedom in the shadow of her Father who is a Police Sergeant and whose ‘word is law’ and on the wall is ‘a poster/proclaiming that Britain needs you.’ (more…)

I Dream a World by Langston Hughes

Today would have been Langston Hughes (one of the original Proletarian Poets) 113th Birthday. Google has marked the occasion with a Googledoodle.

Here is the link to it, Langston Hughes, I Dream a World, and here it is in words. Enjoy.

I Dream A World

I dream a world where man
No other man will scorn,
Where love will bless the earth
And peace its paths adorn
I dream a world where all
Will know sweet freedom’s way,
Where greed no longer saps the soul
Nor avarice blights our day.
A world I dream where black or white,
Whatever race you be,
Will share the bounties of the earth
And every man is free,
Where wretchedness will hang its head
And joy, like a pearl,
Attends the needs of all mankind-
Of such I dream, my world!

Proletarian Poetry

Poetry of Working Class Lives