‘No Tenemos Miedo’, is the status many Latino young people have been using in the US; they are undocumented and unafraid to say so. They, and others who support them in their now precarious situation, have been turning to art to protest against the rise in hatred towards them. In the past week we have seen the terrible scenes in Charlottesville, where the worms of fascism have come out of the rotten word they have been living in to spread hatred. This has undoubtedly come from the permission gave them by Donald Trump, and his rhetoric against the Mexican people and his ‘promise’ to build a wall.
There is already a wall along the US/Mexican border, and in many parts there are works of art protesting against what it stands for. One exhibit has a series of day-of-the-dead like mannequins, hanging from the wall. It is a powerful image. Across the world, where walls have divided people, protest art has inverted the purpose of the canvas. From the Berlin Wall, to the Israeli Wall, and the Peace Wall in Northern Ireland, there are beautiful but at the same time heart-rending images to remind people, either of the reason they are there and/or the damage that they do, e.g. in cutting off families, or families from their land, etc.. (more…)
As part of this project I seem to be developing, I will be giving a paper at the Institute of English Studies conference: “New to Next Generation 2014: Three Decades of British and Irish Poetry” on March 13th (come along). I am on a panel entitled Promoting an Inclusive Poetics (I should be careful what I wish for). So as part of developing the paper, I thought I better get to know who the ‘Generation’ poets are.
I have featured four of the Generation Poets on the site so far – from 2014: Hannah Lowe, Kei Miller and Helen Mort; and one from 2004, Patience Agbabi. None from 1994 as yet.
In line with my belief that all poets have written a poem of working class lives, I am going through the poems (at least the ones that are available online at this stage) of each Generation poet to find out if there is any truth to my belief. So this first instalment is a selection from the 1994 ‘New’ Generation – I have looked at eleven of them so far, there are others such as Don Paterson and Kathleen Jamie I know I will find poems from, but there are still a few that I haven’t found one for (e.g. Glyn Maxwell, Lavinia Greenlaw), though I haven’t lost hope.
Moniza Alvi: The Country at My Shoulder is about Moniza’s country of origin, Pakistan, the poverty and gender divide there and how it weighs heavily on her identity.
‘the women stone-breakers chip away/at boulders, dirt on their bright hems./They await the men and the trucks….I try to shake the dust from the country,/smooth it with my hands.’
Simon Armitage: Clown Punk is very much a poem about identity, of how for some it changes, whereas others may believe it remains the same as exemplified in fading tattoos.
‘don’t laugh: every pixel of that man’s skin,/is shot through with indelible ink;/as he steps out at the traffic lights/think what he’ll look like in thirty years time.’ (more…)