Wat Tyler

THE COMMUNITY CHARGE HOW WILL IT WORK FOR YOU? by Jane Burn

wattylerIn 1381 Wat Tyler led the peasant revolt against Richard II’s poll tax (Richard was a uppity fifteen year old at the time). The Black Death of thirty-five years prior had wiped out more than a third of the population, leading to a shortage of labour, thus increasing the power of the peasantry. The lords and landowners wanted to raise more money, in particular as the war with France was proving very costly. The peasants wanted a wage rise, the aristocracy wanted a poll tax. Things got a bit out of hand when Tyler’s lot marched on London from Kent, riots ensued, the King gave in, but was weak to implement promises, and Tyler had his neck slashed.

poll tax londonThatcher tried to do a Richard II in the late days of her reign. The Community Charge, aka the Poll Tax, was the introduction of a per head tax, which negatively affected those on low incomes, but was popular with blue blood Tories. But like Tyler and his acolytes, the working class were having none of it. There were riots across the country, with a major disturbance in London where police cars had wooden poles put through the windows. As I’m sure most readers know, this is what brought the end of Thatcher; not by a general election but by her own party, who finally swallowed their fear allowing the charismatic, alpha male orator John Major to win an election nobody at the time predicted.

20180421_161007sJane Burn’s poem ‘THE COMMUNITY CHARGE, HOW WILL IT WORK FOR YOU?’ takes us back to the detail of this regressive tax, the anger and protests it caused. ‘How will it affect six heads in a poor house?/ Don’t register, Don’t Pay, Don’t Collect./ It does not matter what you earn or own – / a duke would pay the same as a dustman.’ I remember a lot us were up in court for non-payment; I left for London at the time, leaving my unpaid bill behind. And although we were to suffer another seven years of Tory rule, Thatcher was thrown out on her arse. ‘It was like every Christmas come at once/ when we knew that we’d won, then she said/ We’re leaving Downing Street/ and we knew ding dong, that the witch was dead.’ Such levels of protest seem to have been beaten out of the working classes. But more than ever, I feel we are in a time similar to, if not worse than the days of Thatcher. The Tories have squeezed/sliced/butchered local tax revenues, so the Council Tax is on the rise; and the state is swiftly shriveling, offloading services to private enterprise. We surely need a modern day Wat Tyler, doesn’t matter if he or she lives in Kent (although that is quite a handy launch point), any place will do; and make sure you bring all your mates.

 

Jane Burn is a writer originally from South Yorkshire, who now lives and works in the North East, UK. Her poems have been featured in magazines such as The Rialto, Under The Radar, Butcher’s Dog, Iota Poetry, And Other Poems, The Black Light Engine Room and many more, as well as anthologies from the Emma Press, Beautiful Dragons, Seren, and The Emergency Poet. Her pamphlets include Fat Around the Middle, published by Talking Pen and Tongues of Fire published by the BLER Press. Her first full collection, nothing more to it than bubbles has been published by Indigo Dreams. She has had four poems longlisted in the National Poetry Competition between 2014 – 2017, was commended and highly commended in the Yorkmix 2014 & 2015, won the inaugural Northern Writes Poetry Competition in 2017 and came second in the Welsh International Poetry Competition 2017.

 
THE COMMUNITY CHARGE
HOW WILL IT WORK FOR YOU?

How will it affect six heads in a poor house?
Don’t register, Don’t Pay, Don’t Collect.
It does not matter what you earn or own –
a duke would pay the same as a dustman.
Buckingham Palace as much as your nan.
Our mum, taking us four kids to Barnsely,
shouting at them at the Town Hall, how
am I meant to pay for all of these?
Fuck the working classes, Thatcher thought.
To those that stood and marched and fought,
raised placards, BREAK THE TORY POLL TAX –
thank you.
To those, battered to the ground by Thatcher’s thugs –
thank you.
To the APTUs, speaking for those who had no voice –
to the ones who helped us see that we had a choice,
thank you.
It was like every Christmas come at once
when we knew that we’d won, then she said
We’re leaving Downing Street
and we knew ding dong, that the witch was dead.
Thatcher, you wore
a tyrant’s crown.
Thatcher, you’re going
to hell.
Thatcher, you failed
to learn our strength.
Thatcher, you’re going
down.
 

THE COMMUNITY CHARGE…HOW WILL IT WORK FOR YOU? –
taken from a government leaflet explaining the new charge.

Don’t register, Don’t Pay, Don’t Collect. – APTU slogan.
a duke would pay the same as a dustman. – Nicholas Ridley,
Conservative Secretary of State for the Environment
We’re leaving Downing Street – part of Margaret Thatcher’s speech
on leaving Number 10

 

The Wake, and I, Agitator by Matt Duggan

Many on the Left in Scotland voted for independence from the United Kingdom in last year’s referendum; and many of those of the same persuasion in England supported that position. I didn’t, but fully understand why the Scots wanted away from Westminster control. I tend towards a more internationalist, even idealistic/impractical anarchist position – given their history, I am not a great fan of countries, especially when it comes to abstract notions such as pride, which often lead us into wars.

Nationalism tends to have two political faces united by a strong feeling of injustice. In developing countries throughout Africa and Asia, this injustice was real and came from a position of weakness and disenfranchisement. But the other nationalistic face, comes from a position of power, where they feel either under threat, or in the case of the Nazis, was deeply ideological and needed to be perpetuated throughout the world.

My fear for Scottish independence was that it would give rise to this second type of English nationalism, and the bull necked, shaven educated view that comes with it (as well as the possibility of a permanent Tory government in England). That doesn’t forego any discussion about England’s position in the world by the Left. Billy Bragg for example, has been doing this for years, and has even called for an English parliament. Poets have also been part of that conversation, as highlighted in a great review by Peter Riley, of Simon Smith’s Navy and Steve Ely’s Englaland.

20150808_152657It is most often individuals, who have influenced the history of a country; and sometimes ones who have not garnered great attention. Matt Duggan’s two poems, The Wake, concerning the almost mythological Hereward, and I, Agitator about Wat Tyler, nicely illustrate the lives of two men involved in different periods of English history. The Wake, takes the turbulent time of the 11th century during the Norman Conquest and resistance led by the likes of Hereward the Wake. “My country crippled under ember skies/land courted in blood and black bile,/the last king of England has died/a battle paced on my brethren isle.” As Matt explains, “I am drawn to characters from history that we rarely hear about these days, so, I wanted to write a longer piece about Hereward and how he became ‘The Wake’. Even today people know very little about his life, was he just a myth or was Hereward a real man bent on revenge, or maybe, just a story used to scare children?” And Matt takes a similar approach when portraying the life of the infamous Wat Tyler, who led the Peasant’s Revolt against the original Poll Tax of Richard II some three hundred years later. (more…)