indigo dreams publishing

this is not your beautiful game by ben banyard

england under 20

future stars?

This past Sunday (June 11th) saw the greatest achievement in English football for 51 years. The Under-20s won their World Cup in South Korea, beating such senior giants as Argentina and Italy, but also less renowned countries like Guinea and Venezuela on the way. Talk (prematurely of course) is now whether they can go on and do the same for the senior team in Qatar 2022. The team is made up of players on the books of top Premier League clubs, but hardly any have played more than a handful of games for the first team. They play their games at lower league grounds, such as Oldham and Rochdale, which I think is good, as it brings international level games to a wider audience and at lower prices.

Football, as we have seen previously on this site with Rishi Dastidar’s poem, “We are Premier League”, is dominated by big money, whether it be players’ wages, ticket prices, or television rights and subscriptions. But as with many sports, top success is underpinned by the misnomer of non-league football, which itself starts with youth leagues, where parents volunteer for the child’s team as manager, trainer, team secretary, running the line, or putting up the nets (the latter two were my job, and at 5ft 7in, the crossbar was out of reach).

Support for their local teams is part and parcel of this territory. It is there that I go by the ‘blighted by birth or where you live’ rule when it comes to supporting a team – there is no pick and mix (I was born in Coventry for the sins of my parents). However, that doesn’t mean you can’t contradict that rule by making your children support the god forsaken team you were born from.

Ben BanyardBen Banyard’s poem ‘This is Not Your Beautiful Game’ nicely captures the reality and sometime excitement of such wind-blown support, “This is not Wembley or the Emirates./We’re broken cement terraces, rusting corrugated sheds,/remnants of barbed wire, crackling tannoy.” You don’t get prawn sandwiches here (not that you would want them), it’s “pies described only as ‘meat’,/cups of Bovril, instant coffee, stewed tea.” But out of such masochistic adversity, comes great strength, as well as pride. “Little boys who support our club learn early/how to handle defeat and disappointment…./We are the English dream, the proud underdog/twitching hind legs in its sleep.” It is never too late for some players’ dreams; many have risen out of the lower ranks, to play in the Premier League, like Chris Smalling, Charlie Austin, Jimmy Bullard, Troy Deeney, and Jamie Vardy. And of course not forgetting Coventry’s own Trevor Peake, who at the age of 26 was bought from Lincoln City and was part of the 1987 FA Cup winning side.

[NB: for one time only, I am allowing a Birmingham fan to grace the pitch of Proletarian Poetry. There are times (and poetry is one of them), when the game must trump the tribalism – aka pride before a fall. But don’t tell any Cov fans]

Ben Banyard grew up in Solihull but has lived in the West Country since the mid-90s. His poems have appeared widely in the likes of The Interpreter’s House, And Other Poems, Under the Radar and Popshot. Ben’s pamphlet, Communing, was published by Indigo Dreams in 2016 and his first full collection, We Are All Lucky, is due out from the same press in 2018. He edits Clear Poetry and blogs at https://benbanyard.wordpress.com


This is Not Your Beautiful Game

This is not Lionel Messi, balletic, mercurial.
We have a journeyman striker with a broken nose
no pace, poor finishing, very right-footed.

This is not Wembley or the Emirates.
We’re broken cement terraces, rusting corrugated sheds,
remnants of barbed wire, crackling tannoy.

Here, the captain winning the toss
chooses to kick uphill or down
considers which half his keeper will stand in mud.

We have pies described only as ‘meat’,
cups of Bovril, instant coffee, stewed tea.

Our shirts feature the logo of a local scaffolding firm,
can’t be found in JD Sports.

Don’t tell us about football’s grass roots.
We don’t worry that all of this must seem small-fry,
that our team comprises keen kids and sore old pros.

Little boys who support our club learn early
how to handle defeat and disappointment,
won’t ever see us on Match of the Day.

We are the English dream, the proud underdog
twitching hind legs in its sleep,
tapping in a last-minute equaliser as the rain
knifes down on tonight’s attendance: 1,026 souls.

Market Scene, Northern Town by Catherine Graham

salt1

middle class vs working class salt

We have two types of salt dispenser in our house. One is the traditional one with holes in the top, which you shake over your food, the other is a small pot with a lid and a tiny wooden spoon on the side. I call the first one our working class salt, the other our middle class. I am fully aware of the madness of this categorisation, which I am sure has not been part of any analysis of social stratification. However, when it comes to food more generally, the divisions in class are legion. Getting beyond the vital mushy peas/mashed avocado debate, food is political in many ways. But it always seems that it is the working class whose eating habits are under scrutiny and held as being essentially unhealthy. In recent times, the fat-tongued mockney Jamie Oliver (who I concede did a good job when it came to school dinners), decided to highlight the ‘poor’ diets of the poor, suggesting they get creative with stale bread.

One point I did agree with him on though was, “going to your local market, which is cheaper anyway, but also they don’t dictate the size.” The supermarkets have recently been criticised for the convoluted way they price their ‘offers’. But like a lot of big capital, supermarkets are winning the day, and local markets are in decline (setting aside the rise in higher priced farmer’s markets, which the supermarkets have cottoned on to). And with that decline comes a loss of community cohesion; a study by the Joseph Rowntree Foundation found that markets were a significant site for social interaction of communities and could play a role in promoting social inclusion and healthy eating.

Catherine GrahamCatherine Graham’s poem Market Scene, Northern Town evokes this scene of bustling activity and its mix of goods: “The lidded stalls are laden with everything/from home-made cakes to hand-me-downs.” This is a tradition that is woven into daily activities: “They’ve/spilled out from early morning mass,/freshly blessed and raring to bag a bargain,/scudding across the cobbles, like shipyard workers/knocking off.” And from the food bought, you will “smell the pearl barley,/carrots, potatoes and onions, the stock bubbling/nicely in the pot.” We shouldn’t be too doom laden when it comes to the decline in markets, because they haven’t died out altogether, and I’m not sure they will. I for one would miss the market trader shouting, ‘Come ‘an ‘av a look. Pand a bowl!

Catherine Graham grew up in Newcastle upon Tyne where she still lives. Her poems have been published in magazines and anthologies in the UK, USA and Ireland as well as online. Catherine’s first full collection “Things I Will Put In My Mother’s Pocket” was published by Indigo Dreams Publishing in 2013. The featured poem Market Scene, Northern Town is taken from Catherine’s pamphlet Like A Fish Out Of Batter, ‘Poems that bring Lowry’s paintings to life,‘ also published by Indigo Dreams Publishing, 2016.

Market Scene, Northern Town

The lidded stalls are laden with everything
from home-made cakes to hand-me-downs.

Just gone eight bells and the church clock
grinds to a tock. It must be Sunday,

women are wearing hats. They’ve
spilled out from early morning mass,

freshly blessed and raring to bag a bargain,
scudding across the cobbles, like shipyard workers

knocking off. One woman bends over to take
a closer look; holier than thou, she’ll pinch the goods

between finger and thumb in gloves she has
worn in bed since that night on her honeymoon.

Note how ‘the hats’ keep their backs to the woman
in the shawl. Martha, mother, sister,

miracle worker; she can turn bones into broth.
Walk by The Dwellings tomorrow and you will know

her home: the polished letter box, sash windows,
open just enough to let you smell the pearl barley,

carrots, potatoes and onions, the stock bubbling
nicely in the pot; steam rising up like a prayer.