In 2021, Coventry will be the UK’s city of culture; the second city, after Hull in 2017. I am sure there is an air of excitement in the city, and the times I have gone back recently, there is certainly talk but as yet little knowledge of what it will entail. Us poets are hopeful of getting a chair at the table, but what will be the shoe-ins? Theatre, with the figurehead being the Belgrade Theatre, will be a hub of the arts, as no doubt will the Herbert Art Gallery & Museum; both in recent times mixing the contemporary with the nostalgic. And I think it is nostalgia, that music will take as its starting point. (more…)
It’s been a great second month for Proletarian Poetry (I would give you the stats but that’s a bit too geeky. I am however, warming my hands over them now).
I have got to know some great poets who have kindly agreed to have their poems featured on the site. As I’ve said before, in terms of working class lives, this is about the poems not the poets; I secretly believe that all poets have written a working class poem, they just don’t know it yet – it’s a class consciousness problem 🙂 Also as I write this, I am reminded how many of the poets I have seen read this month; all are great performers in their own right and way – you really can’t beat live poetry. For example, on Saturday I was at The Shuffle where two featured poets on PP, Inua Ellams and Karen McCarthy Woolf read alongside, Tom Chivers, Holly Corfield Carr, Gale Burns, and Harry Mann. The theme was the environment and there were a great range of poems on the subject.
This month’s poems have covered a number of themes to do with: family, gender, identity, racism, urban life, work and industry, food, and music (got to have the music). There are mothers, fathers, grandparents, butchers, assembly line workers, brass bands, activists, priests, loan sharks, and (to use the title of Inua Ellams’ poem) Lovers, Liars, Conjurers and Thieves. (more…)